Hey 有没有那种 quiet 到骨子里的电影想看？就是《芳心封锁》这部老片，1969年的，导演吉尔伯托·托法诺拍得特别闷骚——不是说不好看，是那种把情绪全藏在日常褶皱里的劲儿，比如女主吉拉·阿尔马戈尔总在公寓里擦同一个铜台灯，擦到指节发白，镜头就慢悠悠跟着她的手晃，比她藏在抽屉里的那些旧情书还让人想扒开看看。导演Gilberto Tofano巧妙利用空间调度，将封闭的集体农庄转化为压抑的心理牢笼，通过长镜头与自然光效的运用，精准捕捉了角色在道德困境下的微妙情绪流动。最绝的是结尾，她终于把信寄出去那天，镜头居然停在楼下邮筒的影子上——黑黢黢的影子里，好像藏着她攒了整辈子的秘密，却没说破半个字。 要是你喜欢那种需要静下心来咂摸味道的片子，或者对70年代女性题材感兴趣，这片真的适合你。** 影片用近乎纪录片的克制语调，讲述中年寡妇在基布兹农场与亡夫阴影的缠斗。Almagor的脸是一本被翻烂的书，每一道纹路都在说"我还在这儿"。
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.相关搜索：
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